A stroll through the exhibition "Átopos, the untraveled", the latest proposal by Valencian artist Rafael Blasco Ciscar at the La Neomudejar Museum, evokes a dystopian atmosphere. Using inorganic industrial materials, the artist creates sculptures that appear to have emerged in a post-apocalyptic world. The space of La Neomudejar significantly amplifies the exhibition's narrative, with its industrial architecture and history as a train station. The presented structures are the protagonists of this dystopian narrative, suggesting movement and functionality but frozen in time. Blasco Ciscar's use of recycled materials raises aesthetic and conceptual impact, reflecting current global concerns about sustainability and the environment.