Wilfredo Prieto's re-presentation of "Piedra iluminada, piedra no iluminada" at the 2024 Venice Biennale raises profound questions about artistic value in an era of visual saturation. The work challenges the art world's obsession with highlighting what it deems worthy of attention, addressing overproduction and the quest for novelty. It sparks debate about selection processes for prestigious events and critiques eurocentric narratives at the Biennale. By contrasting the illuminated and shadowed stone, Prieto provocatively questions the inflated ego of contemporary art and prompts reflection on the direction of the art world. His work serves as a critique of the art system and its treatment of marginalized artists and their works.