Enrique Martínez Celaya's exhibition "Los muertos llaman al alba" at the Museo Nacional de Bellas Artes presents a rich exploration of identity, memory, and transformation. The centerpiece, "El Trineo," originally exhibited at the 13th Havana Biennial, serves as a potent metaphor for the Cuban experience of exile and return. Through evocative pieces like "Los que se van," "El regalo (para Juanito)," and "El contar lo que queda," Martínez Celaya weaves a lyrical tapestry of human existence, prompting viewers to engage actively with the profound themes of loss, heritage, and renewal. The exhibition invites a dialogue with the past and present, compelling emotional and intellectual introspection.